This Malayalam biopic of Sree Narayana Guru directed by R Sukumaran and starring Thalaivasal Vijay is over-the-top.
SMS Review: Dhrona 2010 the reunion director Shaji Kailas and Mammootty after a long while is disappointing. The actors deserved better than the ho-hum it ends up being.
Director Raj Nair's debut Malayalam feature film with Prithviraj and Samvrutha has the right concept but poor execution.
Bodyguard, director Siddique's much awaited film with Nayanthara making a comeback in Malayalam films and Dileep portraying the title role is non-happening and may turn out to be the first blemish in the director's career.
Happy Husbands is directed by Saji Surendran, a television director, who made a successful film debut with Ivar Vivahitharaayal last year. He was honest enough to admit that the film is based on the Tamil film, Charlie Chaplin.
Mohanlal does great work in his latest release.
It looks like the law of averages has caught up with Mammootty, whose last few outings before Chattanmbinadu were very good.
This comic caper would have been an ideal escape as mentioned in the tagline of title but the lazy approach by the makers makes it fall short of expectations.
Director Ranjith's take on the first recorded case of sexual harassment in the state is rich visually as well as in content.
Recent successes has made Jayaram push his luck by recklessly selecting projects that do not work.
Lal Jose's Malayalam film is visually enchanting but lacks a good story.
Viji Tampi's new Malayalam film about the misuse of cell phones, laptops etc featuring a bunch of teenagers and a few veterans is lopsided and may make you lose your mental equilibrium.
Jayasurya's latest Malayalam outing with debutant director Remakanth Sarju is a mishmash of his old movies without any uniqueness to talk about.
The Malayalam film directed by T K Rajeev Kumar and starring Jayaram, Geethu and Jyothika, is more like an elaborate wedding ceremony.
Cinematographer-turned-director P Sukumar's Malayalam film dwells into struggle of an honest journalist but fails to have the desired impact.
Ranjith's experimental venture featuring ten different stories helmed by ten different directors is worth a watch.
The Mohanlal starrer which also marks the entry of Tamil actor Bhagyaraj's son Santhanu in Malayalam is a poor version of the Hollywood original.
The reunion of the team who gave us the classic Oru Vadakkan Veeragatha has a winner on its hands, if not a classic of the same proportion.
Prithviraj's new Malayalam film directed by veteran Joshiy had promised an interesting premise but falls short of expectations.
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